Charlie Daniels is partly Western and partly Southern. His signature “bullrider” hat and belt buckle, his lifestyle on the Twin Pines Ranch (a boyhood dream come true), his love of horses, cowboy lore and the heroes of championship rodeo, Western movies, and Louis L’Amour novels, identify him as a Westerner. The son of a lumberjack and a Southerner by birth, his music - rock, country, bluegrass, blues, gospel - is quintessentially Southern. In fact, even his bent for all things Western is Southern, because his attire, his lifestyle and his interests are historically emblematic of Southern working class solidarity with the “lone cowboy” individualism of the American West.

It hasn’t been so much a style of music, but more the values consistently reflected in several styles that has connected Charlie Daniels with millions of fans. For decades, he has steadfastly refused to label his music as anything other than “CDB music,” music that is now sung around the fire at 4-H Club and scout camps, helped elect an American President, and been popularized on a variety of radio formats.

“I used to say, ‘I’m not an outlaw; I’m an outcast,’” says the Grammy Award winning star. “When it gets right down to the nitty gritty, I’ve just tried to be who I am. I’ve never followed trends or fads. I couldn’t even if I tried. I can’t be them; I can’t be anybody but me.”

His resume includes recording sessions with artists as diverse as Bob Dylan, Flatt & Scruggs, Pete Seeger, Mark O’Connor, Leonard Cohen and Ringo Starr. His songs have been recorded by Elvis Presley and Tammy Wynette. This touring legend has been documented by ABC Newsmagazine 20/20.